Lana Bastašić is a Yugoslav-born writer who lives and works in Belgrade. She has published two collections of short stories and one of poetry. Catch the Rabbit, her first novel, was published in 2018 in Belgrade and was shortlisted for the NIN Award. Her short stories have been included in major regional anthologies and have won numerous awards throughout the former Yugoslavia....(展开全部)

Lana Bastašić is a Yugoslav-born writer who lives and works in Belgrade. She has published two collections of short stories and one of poetry. Catch the Rabbit, her first novel, was published in 2018 in Belgrade and was shortlisted for the NIN Award. Her short stories have been included in major regional anthologies and have won numerous awards throughout the former Yugoslavia....(展开全部)

Gawain is a loyal and true goose serving as chief guard of the royal treasury. He'd been happy enough with his life at home tending his garden and making sketches of architectural masterpieces. Now he's being charged with stealing from the treasury. Gawain is certain of his innocence, but he can't prove it. Will the real thief come forward to save Gawain, or will he live in exi...(展开全部)

Catch-22 is a satirical, historical novel by the American author Joseph Heller, first published in 1961. The novel, set during the later stages of World War II from 1944 onwards, is frequently cited as one of the great literary works of the twentieth century.[2] It has a distinctive non-chronological style where events are described from different characters' points of view and...(展开全部)

Born to a father who described him as the chosen one” and a mother who called him the universal child,” Tiger Woods was groomed for the fame and influence that his parents believed was his destiny. At age twenty, he made his debut in a Nike commercial. Hello, world,” he said. Are you ready for me?” The world was ready. For the next thirteen years, Tiger nearly lived up to his...(展开全部)

In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory. Arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive, he asserts that there is "another Lacan" in reference to whom film theory, cultural studies and critical thought as such can be transformed and revitalized. He supports th...(展开全部)